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	<title>Questi denari &#187; Storia</title>
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		<title>Sant’Agostino nello studio: Caravaggio ritrovato o affare assicurato?</title>
		<link>http://www.questidenari.com/?p=4524</link>
		<comments>http://www.questidenari.com/?p=4524#comments</comments>
		<pubDate>Mon, 27 Jun 2011 11:34:05 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[androgino]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[colore verde]]></category>
		<category><![CDATA[colori]]></category>
		<category><![CDATA[contrasti]]></category>
		<category><![CDATA[costato]]></category>
		<category><![CDATA[dettagli]]></category>
		<category><![CDATA[disequilibrio]]></category>
		<category><![CDATA[drappo]]></category>
		<category><![CDATA[essenziale]]></category>
		<category><![CDATA[Giovanni Baglione]]></category>
		<category><![CDATA[Giustiniani]]></category>
		<category><![CDATA[Jacques Arcadelt]]></category>
		<category><![CDATA[leggibile]]></category>
		<category><![CDATA[luci ombre]]></category>
		<category><![CDATA[manto rosso]]></category>
		<category><![CDATA[marchese Vincenzo Giustiniani]]></category>
		<category><![CDATA[Michelangelo Buonarroti]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[mitra]]></category>
		<category><![CDATA[National Gallery]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[nello studio]]></category>
		<category><![CDATA[ombra]]></category>
		<category><![CDATA[Ottawa]]></category>
		<category><![CDATA[pentimenti]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[Ranuccio Tommasoni]]></category>
		<category><![CDATA[Roberto Longhi]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[sant’Agostino]]></category>
		<category><![CDATA[sfondo]]></category>
		<category><![CDATA[sfondo scuro]]></category>
		<category><![CDATA[Silvia Danesi Squarzina]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[Vasco Rossi]]></category>
		<category><![CDATA[Vittorio Sgarbi]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=4524</guid>
		<description><![CDATA[Forse in pochi sanno che nei secoli passati Caravaggio è stato un artista volutamente dimenticato, e non solo per questioni di decoro artistico cui riferiva il Baglione dopo aver visto i piedi sudici e la cuffia sdrucita nel dipinto “Madonna dei pellegrini” (“… leggerezze in riguardo delle parti, che una gran pittura haver dee …”). [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Madonna dei pellegrini: Caravaggio avvicina la dimensione umana al divino con l’apparizione di Loreto</title>
		<link>http://www.questidenari.com/?p=3825</link>
		<comments>http://www.questidenari.com/?p=3825#comments</comments>
		<pubDate>Wed, 16 Mar 2011 18:08:17 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[a]]></category>
		<category><![CDATA[angeli]]></category>
		<category><![CDATA[apparizione]]></category>
		<category><![CDATA[biografo]]></category>
		<category><![CDATA[cappella]]></category>
		<category><![CDATA[cappella Contarelli]]></category>
		<category><![CDATA[Cappella Sistina]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[chiesa]]></category>
		<category><![CDATA[commissione]]></category>
		<category><![CDATA[con Bambino]]></category>
		<category><![CDATA[Controriforma]]></category>
		<category><![CDATA[corsetto]]></category>
		<category><![CDATA[cose]]></category>
		<category><![CDATA[Creazione Adamo]]></category>
		<category><![CDATA[cuffia]]></category>
		<category><![CDATA[decoro]]></category>
		<category><![CDATA[dei]]></category>
		<category><![CDATA[descrizione]]></category>
		<category><![CDATA[devozione]]></category>
		<category><![CDATA[di]]></category>
		<category><![CDATA[divine]]></category>
		<category><![CDATA[Ermete Cavalletti]]></category>
		<category><![CDATA[estremo schiamazzo]]></category>
		<category><![CDATA[Giovanni Baglione]]></category>
		<category><![CDATA[gonfi]]></category>
		<category><![CDATA[grande stile]]></category>
		<category><![CDATA[incancellabile]]></category>
		<category><![CDATA[infangati]]></category>
		<category><![CDATA[inginocchiati]]></category>
		<category><![CDATA[lacera]]></category>
		<category><![CDATA[Lena]]></category>
		<category><![CDATA[Loreto]]></category>
		<category><![CDATA[Maddalena Antonietti]]></category>
		<category><![CDATA[Madonna]]></category>
		<category><![CDATA[mani]]></category>
		<category><![CDATA[marchese]]></category>
		<category><![CDATA[Maria]]></category>
		<category><![CDATA[meraviglia]]></category>
		<category><![CDATA[Michelangelo Buonarroti]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[Nazareth]]></category>
		<category><![CDATA[obbedienza]]></category>
		<category><![CDATA[olio su tela]]></category>
		<category><![CDATA[opere]]></category>
		<category><![CDATA[pauperismo]]></category>
		<category><![CDATA[pellegrinaggio]]></category>
		<category><![CDATA[pellegrini]]></category>
		<category><![CDATA[piedi]]></category>
		<category><![CDATA[pittore]]></category>
		<category><![CDATA[popolana]]></category>
		<category><![CDATA[popolo]]></category>
		<category><![CDATA[povertà]]></category>
		<category><![CDATA[preghiera]]></category>
		<category><![CDATA[prostituta]]></category>
		<category><![CDATA[realismo caravaggesco]]></category>
		<category><![CDATA[reliquia]]></category>
		<category><![CDATA[rifiuto]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[romana]]></category>
		<category><![CDATA[Sant'Agostino]]></category>
		<category><![CDATA[Santa Casa]]></category>
		<category><![CDATA[santuario]]></category>
		<category><![CDATA[sdrucito]]></category>
		<category><![CDATA[semplicità]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spazio]]></category>
		<category><![CDATA[sporchi]]></category>
		<category><![CDATA[sudici]]></category>
		<category><![CDATA[testamento]]></category>
		<category><![CDATA[umane]]></category>
		<category><![CDATA[vecchia]]></category>
		<category><![CDATA[Vergine]]></category>
		<category><![CDATA[volo]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=3825</guid>
		<description><![CDATA[Con un realismo rivoluzionario e provocatorio perché esternato in epoca di Controriforma, dopo aver superato la prova delle grandi commissioni pubbliche grazie al diffuso consenso ottenuto dai dipinti della Cappella Contarelli, Caravaggio matura una nuova concezione di quadro sacro e legittima il carattere popolare della devozione mariana trasponendo l’episodio dell’apparizione di Loreto. Secondo numerose fonti [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bacchino malato: la debolezza fisica e la forza artistica di Caravaggio</title>
		<link>http://www.questidenari.com/?p=3324</link>
		<comments>http://www.questidenari.com/?p=3324#comments</comments>
		<pubDate>Sat, 20 Nov 2010 00:55:04 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[apprendista]]></category>
		<category><![CDATA[autoritratto Caravaggio]]></category>
		<category><![CDATA[Bacchino malato]]></category>
		<category><![CDATA[Bacco]]></category>
		<category><![CDATA[bianca]]></category>
		<category><![CDATA[biografia]]></category>
		<category><![CDATA[bottega]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Cavalier D’arpino]]></category>
		<category><![CDATA[confisca]]></category>
		<category><![CDATA[corona]]></category>
		<category><![CDATA[Cristo]]></category>
		<category><![CDATA[denari]]></category>
		<category><![CDATA[edera]]></category>
		<category><![CDATA[foglie]]></category>
		<category><![CDATA[Galleria Borghese]]></category>
		<category><![CDATA[gamba]]></category>
		<category><![CDATA[Giovanni Baglione]]></category>
		<category><![CDATA[Giuseppe Cesari]]></category>
		<category><![CDATA[grappolo]]></category>
		<category><![CDATA[incarnato]]></category>
		<category><![CDATA[ispirazione artistica]]></category>
		<category><![CDATA[itterizia]]></category>
		<category><![CDATA[malaria]]></category>
		<category><![CDATA[malattia]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[morte]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[nera]]></category>
		<category><![CDATA[olio su tela]]></category>
		<category><![CDATA[ospedale]]></category>
		<category><![CDATA[pesche]]></category>
		<category><![CDATA[pietra]]></category>
		<category><![CDATA[postura]]></category>
		<category><![CDATA[prosperità]]></category>
		<category><![CDATA[resurrezione]]></category>
		<category><![CDATA[ricovero]]></category>
		<category><![CDATA[Roberto Longhi]]></category>
		<category><![CDATA[salute]]></category>
		<category><![CDATA[Santa Maria Consolazione]]></category>
		<category><![CDATA[schiena]]></category>
		<category><![CDATA[sequestro]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[tavolo]]></category>
		<category><![CDATA[tomba]]></category>
		<category><![CDATA[uva]]></category>
		<category><![CDATA[vino]]></category>
		<category><![CDATA[vita]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=3324</guid>
		<description><![CDATA[Non è dato sapere con certezza se l’opera “Bacchino malato” raffiguri nel periodo di ricovero presso l’ospedale di Santa Maria della Consolazione il giovane pittore Michelangelo Merisi, assalito da una grave malattia e senza denari secondo la citazione di Giovanni Baglione suo principale biografo. Il ricovero degli umili, nella Roma di fine ‘500 circondata da [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=3324</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Palazzo Rondinini in Via del Corso, l’arte del vissuto a Roma</title>
		<link>http://www.questidenari.com/?p=3130</link>
		<comments>http://www.questidenari.com/?p=3130#comments</comments>
		<pubDate>Wed, 20 Oct 2010 15:27:53 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[alcova]]></category>
		<category><![CDATA[Alessandro Dori]]></category>
		<category><![CDATA[arredi]]></category>
		<category><![CDATA[biblioteca]]></category>
		<category><![CDATA[caminetto]]></category>
		<category><![CDATA[camino]]></category>
		<category><![CDATA[Cavalier D’arpino]]></category>
		<category><![CDATA[colonne]]></category>
		<category><![CDATA[decorazioni]]></category>
		<category><![CDATA[dipinti]]></category>
		<category><![CDATA[Giuseppe Cesari]]></category>
		<category><![CDATA[Giuseppe Rondinini]]></category>
		<category><![CDATA[interni]]></category>
		<category><![CDATA[invito a palazzo]]></category>
		<category><![CDATA[marmi]]></category>
		<category><![CDATA[monte paschi siena]]></category>
		<category><![CDATA[neo-classicismo]]></category>
		<category><![CDATA[nobili]]></category>
		<category><![CDATA[Palazzo Rondinini]]></category>
		<category><![CDATA[passaggio segreto]]></category>
		<category><![CDATA[pavimento]]></category>
		<category><![CDATA[porte in legno]]></category>
		<category><![CDATA[reperti]]></category>
		<category><![CDATA[rococò]]></category>
		<category><![CDATA[Rondanini]]></category>
		<category><![CDATA[rondini]]></category>
		<category><![CDATA[sarcofago]]></category>
		<category><![CDATA[stemma araldico]]></category>
		<category><![CDATA[stucchi]]></category>
		<category><![CDATA[via del Corso]]></category>
		<category><![CDATA[volo]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=3130</guid>
		<description><![CDATA[Palazzo Rondinini, affacciato sulla nota via del Corso in Roma, può essere considerato l’esemplificazione architettonica del modo di vivere la quotidianità a contatto diretto con l’arte museale. Sulla superficie proveniente dall’eredità del pittore Giuseppe Cesari, detto il Cavalier d’Arpino (http://www.questidenari.com/?tag=giuseppe-cesari), nel 1764 venne edificato il sontuoso palazzo per declamare il ritorno della nobile famiglia Rondinini [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sacrificio di Isacco degli Uffizi: violenza e meditazione per Caravaggio</title>
		<link>http://www.questidenari.com/?p=2734</link>
		<comments>http://www.questidenari.com/?p=2734#comments</comments>
		<pubDate>Sun, 27 Jun 2010 19:38:36 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Abramo]]></category>
		<category><![CDATA[angelo]]></category>
		<category><![CDATA[ariete]]></category>
		<category><![CDATA[attimo significativo]]></category>
		<category><![CDATA[bene]]></category>
		<category><![CDATA[caravaggeschi]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale]]></category>
		<category><![CDATA[Clemente VIII]]></category>
		<category><![CDATA[colore verde]]></category>
		<category><![CDATA[fede]]></category>
		<category><![CDATA[Firenze]]></category>
		<category><![CDATA[Francesco Boneri]]></category>
		<category><![CDATA[Galleria degli Uffizi]]></category>
		<category><![CDATA[Isacco]]></category>
		<category><![CDATA[Maffeo Barberini]]></category>
		<category><![CDATA[male]]></category>
		<category><![CDATA[mano]]></category>
		<category><![CDATA[meditazione]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[montone]]></category>
		<category><![CDATA[mostra]]></category>
		<category><![CDATA[naturalismo]]></category>
		<category><![CDATA[orrido]]></category>
		<category><![CDATA[paesaggio]]></category>
		<category><![CDATA[Papa]]></category>
		<category><![CDATA[sacrificio]]></category>
		<category><![CDATA[salvare]]></category>
		<category><![CDATA[scannato]]></category>
		<category><![CDATA[sfondo]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[violenza]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2734</guid>
		<description><![CDATA[Se la scena rappresentata nel “Sacrificio di Isacco” ripropone il gusto dell’orrido con cui Caravaggio stupiva i suoi estimatori ed attirava lucrose committenze, rendendo qui il senso di terrore ben visibile nell’espressione degli occhi e della bocca del giovane modello, tuttavia il quadro può considerarsi commovente e delicato nel suo punto cruciale e discrimine fra [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=2734</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ragazzo morso da un ramarro: il Caravaggio ingannevole della Fondazione Longhi</title>
		<link>http://www.questidenari.com/?p=2681</link>
		<comments>http://www.questidenari.com/?p=2681#comments</comments>
		<pubDate>Sun, 13 Jun 2010 18:38:29 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[amore]]></category>
		<category><![CDATA[androgino]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cristalli]]></category>
		<category><![CDATA[cristalli trasparenti]]></category>
		<category><![CDATA[Firenze]]></category>
		<category><![CDATA[Fondazione]]></category>
		<category><![CDATA[giovane]]></category>
		<category><![CDATA[giovinezza effimera]]></category>
		<category><![CDATA[illusione]]></category>
		<category><![CDATA[illusione naturalistica]]></category>
		<category><![CDATA[inganno]]></category>
		<category><![CDATA[mezza figura]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[Mina Gregori]]></category>
		<category><![CDATA[modernità]]></category>
		<category><![CDATA[morso]]></category>
		<category><![CDATA[natura morta]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[orgasmo]]></category>
		<category><![CDATA[ragazzo]]></category>
		<category><![CDATA[ramarro]]></category>
		<category><![CDATA[realtà significativa]]></category>
		<category><![CDATA[Roberto Longhi]]></category>
		<category><![CDATA[rosa]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spazi vuoti]]></category>
		<category><![CDATA[specchio]]></category>
		<category><![CDATA[Villa Bardini]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2681</guid>
		<description><![CDATA[Il rapido successo delle opere di Caravaggio ebbe come diretta conseguenza la riproduzione in più esemplari di uno stesso dipinto al fine di realizzare diverse vendite ad altrettanti clienti. Il fenomeno della duplicazione, tuttavia, pone ancora oggi il quesito sull’autenticità dell’opera che potrebbe essere stata eseguita dal Maestro come da uno o più dei suoi [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=2681</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>San Giovannino o Isacco salvato? Il Caravaggio conteso della Pinacoteca Capitolina</title>
		<link>http://www.questidenari.com/?p=2606</link>
		<comments>http://www.questidenari.com/?p=2606#comments</comments>
		<pubDate>Sun, 23 May 2010 14:13:59 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[ariete]]></category>
		<category><![CDATA[Benedetto XIV]]></category>
		<category><![CDATA[candelaria]]></category>
		<category><![CDATA[Cappella Sistina]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Del Monte]]></category>
		<category><![CDATA[Ciriaco Mattei]]></category>
		<category><![CDATA[corna]]></category>
		<category><![CDATA[Cristo]]></category>
		<category><![CDATA[iconografia tradizionale]]></category>
		<category><![CDATA[ignudi]]></category>
		<category><![CDATA[Isacco]]></category>
		<category><![CDATA[lussuria]]></category>
		<category><![CDATA[manto rosso]]></category>
		<category><![CDATA[Michelangelo Buonarroti]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[monello]]></category>
		<category><![CDATA[montone]]></category>
		<category><![CDATA[Musei Capitolini]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[ombra]]></category>
		<category><![CDATA[Papa]]></category>
		<category><![CDATA[pianta]]></category>
		<category><![CDATA[Pinacoteca Capitolina]]></category>
		<category><![CDATA[pira]]></category>
		<category><![CDATA[profeta]]></category>
		<category><![CDATA[ragazzo di vita]]></category>
		<category><![CDATA[risurrezione]]></category>
		<category><![CDATA[Rodolfo Papa]]></category>
		<category><![CDATA[sacrificio]]></category>
		<category><![CDATA[salvato]]></category>
		<category><![CDATA[San Giovanni Battista]]></category>
		<category><![CDATA[San Giovannino]]></category>
		<category><![CDATA[scannare]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[tema classico]]></category>
		<category><![CDATA[verbasum tapsus]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2606</guid>
		<description><![CDATA[Le sembianze di un giovanotto che sorride, seduto su un drappo rosso e abbracciato fraternamente ad un ariete con le corna in evidenza, fanno uno dei quadri del genio lombardo dal significato più dibattuto. Secondo la critica dominante, con toni di maggiore evidenza rispetto ad ogni altra opera pittorica di Caravaggio, la più conclamata dimostrazione [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=2606</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>La Cena in Emmaus di Londra: la meraviglia dell’apparizione per Caravaggio</title>
		<link>http://www.questidenari.com/?p=2570</link>
		<comments>http://www.questidenari.com/?p=2570#comments</comments>
		<pubDate>Mon, 17 May 2010 00:59:32 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[androgino]]></category>
		<category><![CDATA[aureola]]></category>
		<category><![CDATA[canestra di frutta]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cena emmaus 1601]]></category>
		<category><![CDATA[Cena in Emmaus]]></category>
		<category><![CDATA[Ciriaco Mattei]]></category>
		<category><![CDATA[cleofa]]></category>
		<category><![CDATA[conchiglia]]></category>
		<category><![CDATA[Cristo]]></category>
		<category><![CDATA[disequilibrio]]></category>
		<category><![CDATA[fichi]]></category>
		<category><![CDATA[fractione panis]]></category>
		<category><![CDATA[Londra]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[National Gallery]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[nostro signore]]></category>
		<category><![CDATA[ombra]]></category>
		<category><![CDATA[oste]]></category>
		<category><![CDATA[pesce]]></category>
		<category><![CDATA[pollo]]></category>
		<category><![CDATA[profondità]]></category>
		<category><![CDATA[realismo caravaggesco]]></category>
		<category><![CDATA[sangue]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spazio]]></category>
		<category><![CDATA[uva]]></category>

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		<description><![CDATA[Se risulta di particolare interesse il raffronto tra il Cupido di Berlino (Amore vincitore) e quello dipinto a Malta (Amore dormiente), ulteriori riflessioni sorgono dal paragone tra la “cena in Emmaus” della National Gallery di Londra e lo stesso tema esposto nella tela della Pinacoteca di Brera (http://www.questidenari.com/?p=2274). La discriminante tra la prima e la [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=2570</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Riposo durante la fuga in Egitto: il Caravaggio sognante</title>
		<link>http://www.questidenari.com/?p=2557</link>
		<comments>http://www.questidenari.com/?p=2557#comments</comments>
		<pubDate>Sun, 09 May 2010 00:17:56 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[angelo]]></category>
		<category><![CDATA[aquila]]></category>
		<category><![CDATA[asino]]></category>
		<category><![CDATA[Bambino]]></category>
		<category><![CDATA[Cantico Cantici]]></category>
		<category><![CDATA[capelli rossi]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Aldobrandini]]></category>
		<category><![CDATA[egitto]]></category>
		<category><![CDATA[fuga]]></category>
		<category><![CDATA[galleria Doria Pamphilij]]></category>
		<category><![CDATA[Maria]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[natura morta]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[paesaggio]]></category>
		<category><![CDATA[riposo]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[San Giuseppe]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spartito]]></category>
		<category><![CDATA[Vergine]]></category>
		<category><![CDATA[violino]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2557</guid>
		<description><![CDATA[Onirico e poetico, questo riposo della Vergine, col capo appoggiato sul Bambino dormiente, celebra il distacco di Caravaggio dall’iconografia abituale. Il “riposo durante la fuga in Egitto” è allietato da un angelo musicante, gentilissimo nel suo aspetto, pallido e avversato dai toni scuri delle ali d’aquila e dall’occhio attento dell’asino che contornano il suo profilo. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Suonatore di liuto: l’amore elegante di Caravaggio per la musica</title>
		<link>http://www.questidenari.com/?p=2540</link>
		<comments>http://www.questidenari.com/?p=2540#comments</comments>
		<pubDate>Wed, 05 May 2010 01:10:52 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Amatevi come io v’amo]]></category>
		<category><![CDATA[amore]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Del Monte]]></category>
		<category><![CDATA[compositore]]></category>
		<category><![CDATA[corde]]></category>
		<category><![CDATA[cultura]]></category>
		<category><![CDATA[dono]]></category>
		<category><![CDATA[elite]]></category>
		<category><![CDATA[Ermitage]]></category>
		<category><![CDATA[fiammingo]]></category>
		<category><![CDATA[fiori]]></category>
		<category><![CDATA[frutti]]></category>
		<category><![CDATA[giovane]]></category>
		<category><![CDATA[Hermitage Museum]]></category>
		<category><![CDATA[Jacques Arcadelt]]></category>
		<category><![CDATA[legno]]></category>
		<category><![CDATA[liuto]]></category>
		<category><![CDATA[Margherita d’Austria]]></category>
		<category><![CDATA[Mario Minniti]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[musica]]></category>
		<category><![CDATA[naturalismo caravaggesco]]></category>
		<category><![CDATA[omaggio]]></category>
		<category><![CDATA[Palazzo Madama]]></category>
		<category><![CDATA[raffinatezza]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[San Pietroburgo]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spartito]]></category>
		<category><![CDATA[St Petersburg]]></category>
		<category><![CDATA[strumenti]]></category>
		<category><![CDATA[suonatore liuto]]></category>
		<category><![CDATA[usufrutto]]></category>
		<category><![CDATA[vaso]]></category>
		<category><![CDATA[violino]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2540</guid>
		<description><![CDATA[L’assegnazione in usufrutto a Margherita d’Austria (detta la “Madama”) di un ricco edificio, costruito su un terreno ceduto alla Francia, sancì il passaggio dello stesso palazzo capitolino dalla sfera d’influenza transalpina a quella ispano-austriaca. Malgrado ciò, verso la fine del sedicesimo secolo il cardinale Francesco Maria Bourbon del Monte Santa Maria, imparentato coi Borboni di [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ragazzo con canestra di frutta: la sensualità sperimentale di Caravaggio</title>
		<link>http://www.questidenari.com/?p=2515</link>
		<comments>http://www.questidenari.com/?p=2515#comments</comments>
		<pubDate>Fri, 30 Apr 2010 16:28:53 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[amore]]></category>
		<category><![CDATA[canestra di frutta]]></category>
		<category><![CDATA[canestro]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Scipione Borghese]]></category>
		<category><![CDATA[Cavalier D’arpino]]></category>
		<category><![CDATA[Galleria Borghese]]></category>
		<category><![CDATA[giovane]]></category>
		<category><![CDATA[Giuseppe Cesari]]></category>
		<category><![CDATA[luci ombre]]></category>
		<category><![CDATA[Mario Minniti]]></category>
		<category><![CDATA[mezza figura]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[natura morta]]></category>
		<category><![CDATA[olio su tela]]></category>
		<category><![CDATA[opera autografa]]></category>
		<category><![CDATA[pieghe abito]]></category>
		<category><![CDATA[pittura figura]]></category>
		<category><![CDATA[pittura natura]]></category>
		<category><![CDATA[ragazzo]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spalla nuda]]></category>
		<category><![CDATA[tela privata]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2515</guid>
		<description><![CDATA[Il sequestro dei beni del 1607, ordinato per inadempienze fiscali dell’artista e collezionista Giuseppe Cesari meglio noto come Cavalier d’Arpino, costrinse il pittore a privarsi del celebre dipinto “fanciullo con canestro di frutta”, la più antica opera autografa di Caravaggio. Michelangelo Merisi, che trascorse solo pochi mesi presso la bottega del Cavalier d’Arpino, in quel [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>San Giovanni Battista della Galleria Corsini: il Caravaggio inquietante</title>
		<link>http://www.questidenari.com/?p=2475</link>
		<comments>http://www.questidenari.com/?p=2475#comments</comments>
		<pubDate>Mon, 19 Apr 2010 17:37:31 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[1758]]></category>
		<category><![CDATA[Bartolomeo Corsini]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[collezione Barberini]]></category>
		<category><![CDATA[donna Felice Barberini]]></category>
		<category><![CDATA[Galleria Corsini]]></category>
		<category><![CDATA[Kansas City]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[manto rosso]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[monello]]></category>
		<category><![CDATA[ombra]]></category>
		<category><![CDATA[polo museale Roma]]></category>
		<category><![CDATA[profeta]]></category>
		<category><![CDATA[ragazzo di vita]]></category>
		<category><![CDATA[realismo caravaggesco]]></category>
		<category><![CDATA[San Giovanni Battista]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2475</guid>
		<description><![CDATA[Occorrerebbero nuove fonti storiche per rafforzare la convinzione che il dipinto denominato “San Giovanni Battista”, conservato nella Galleria Corsini a Roma, raffiguri proprio il santo anziché tutt’altro soggetto. Il quadro, in una qualunque sua parte, non riferisce esplicitamente al profeta, né Caravaggio intitolava le proprie opere; addirittura, la sua autenticità è stata in dubbio per [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>La Deposizione: il capolavoro classicistico di Caravaggio</title>
		<link>http://www.questidenari.com/?p=2449</link>
		<comments>http://www.questidenari.com/?p=2449#comments</comments>
		<pubDate>Wed, 14 Apr 2010 13:59:15 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[braccio]]></category>
		<category><![CDATA[cadente]]></category>
		<category><![CDATA[cappella]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[catacombe romane]]></category>
		<category><![CDATA[chiesa nuova]]></category>
		<category><![CDATA[città del vaticano]]></category>
		<category><![CDATA[classicismo]]></category>
		<category><![CDATA[cristiani]]></category>
		<category><![CDATA[deposizione]]></category>
		<category><![CDATA[donna orante]]></category>
		<category><![CDATA[giuseppe arimatea]]></category>
		<category><![CDATA[le tre marie]]></category>
		<category><![CDATA[Maddalena]]></category>
		<category><![CDATA[Madonna]]></category>
		<category><![CDATA[manto rosso]]></category>
		<category><![CDATA[Maria Cleofa]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[Musei Vaticani]]></category>
		<category><![CDATA[oratorio]]></category>
		<category><![CDATA[pianto]]></category>
		<category><![CDATA[pietra]]></category>
		<category><![CDATA[pietra angolare]]></category>
		<category><![CDATA[Pietro Vittrici]]></category>
		<category><![CDATA[pinacoteca]]></category>
		<category><![CDATA[pittura classicista]]></category>
		<category><![CDATA[preghiera]]></category>
		<category><![CDATA[San Filippo Neri]]></category>
		<category><![CDATA[San Giovanni Battista]]></category>
		<category><![CDATA[Santa Maria Vallicella]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[sepoltura di Cristo]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[tomba]]></category>
		<category><![CDATA[trasporto]]></category>
		<category><![CDATA[vangelo]]></category>

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		<description><![CDATA[Commissionata a spese del penitente oratoriano Vittrici per i lavori di decorazione della “chiesa nuova” di Santa Maria in Vallicella voluta da San Filippo Neri &#8211; al patrimonio iniziale di 1000 scudi si aggiungerà un versamento annuo di 75 scudi a partire dal 1587 &#8211; la Deposizione è custodita oggi presso i Musei Vaticani a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Flagellazione di Cristo: bruttezza e sensualità a contrasto per Caravaggio</title>
		<link>http://www.questidenari.com/?p=2406</link>
		<comments>http://www.questidenari.com/?p=2406#comments</comments>
		<pubDate>Mon, 05 Apr 2010 13:16:19 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[colonna]]></category>
		<category><![CDATA[flagellazione]]></category>
		<category><![CDATA[Flagellazione Cristo]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[Museo Nazionale Capodimonte]]></category>
		<category><![CDATA[Napoli]]></category>
		<category><![CDATA[Ranuccio Tommasoni]]></category>
		<category><![CDATA[San Domenico Maggiore]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[Sebastiano del Piombo]]></category>
		<category><![CDATA[sfondo scuro]]></category>
		<category><![CDATA[sofferenza]]></category>
		<category><![CDATA[voluttà]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2406</guid>
		<description><![CDATA[Per la tela raffigurante la “flagellazione di Cristo”, destinata alla chiesa di San Domenico Maggiore, Caravaggio ricevette pagamenti nel maggio 1607, anno successivo a quello dell’omicidio del notaio Ranuccio Tommasoni. L’esecuzione dell’opera, oggi in deposito presso il Museo di Capodimonte a Napoli, non può che aver risentito della particolare condizione esistenziale vissuta da Merisi in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bacco: le molteplici trasfigurazioni di Caravaggio</title>
		<link>http://www.questidenari.com/?p=2378</link>
		<comments>http://www.questidenari.com/?p=2378#comments</comments>
		<pubDate>Tue, 30 Mar 2010 13:24:15 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Bacco]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Del Monte]]></category>
		<category><![CDATA[cristalli]]></category>
		<category><![CDATA[cristalli trasparenti]]></category>
		<category><![CDATA[Cristo]]></category>
		<category><![CDATA[Dioniso]]></category>
		<category><![CDATA[fiocco velluto]]></category>
		<category><![CDATA[Firenze]]></category>
		<category><![CDATA[Galleria degli Uffizi]]></category>
		<category><![CDATA[giovane canestro frutti]]></category>
		<category><![CDATA[incarnato]]></category>
		<category><![CDATA[ispirazione artistica]]></category>
		<category><![CDATA[legame cielo terra]]></category>
		<category><![CDATA[Mario Minniti]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[natura morta]]></category>
		<category><![CDATA[naturalista]]></category>
		<category><![CDATA[pampini]]></category>
		<category><![CDATA[sangue]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[sfondo scuro]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[vino]]></category>

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		<description><![CDATA[La possibilità di fornire diverse interpretazioni di una stessa opera è certamente un punto di forza della pittura di Caravaggio: mai univoco nelle proprie dichiarazioni artistiche, il genio lombardo, già nel periodo che precede la maturità delle commissioni pubbliche, affascina per la capacità di osservare la realtà del tempo che vive e trasferire nei propri [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Incoronazione di spine: i triangoli incidenti di Caravaggio</title>
		<link>http://www.questidenari.com/?p=2364</link>
		<comments>http://www.questidenari.com/?p=2364#comments</comments>
		<pubDate>Thu, 25 Mar 2010 14:46:31 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[chiaroscuro]]></category>
		<category><![CDATA[geometria non euclidea]]></category>
		<category><![CDATA[incoronazione di spine]]></category>
		<category><![CDATA[Kunsthistorische Museum Wien]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[Marcantonio Doria]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[museo Vienna]]></category>
		<category><![CDATA[Roberto Longhi]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[triangoli]]></category>
		<category><![CDATA[vortice]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2364</guid>
		<description><![CDATA[Opera solo recentemente riconosciuta come originata dai pennelli di Caravaggio almeno nella parte delle figure centrali, forse eseguita dal Maestro per sdebitarsi della protezione offerta da Marcantonio Doria, questa dolce e violenta “Incoronazione di spine” ripropone fra i chiaroscuri la trasposizione della personalità contrastata del genio milanese. I movimenti degli aguzzini che infieriscono sul Cristo, [...]]]></description>
		<wfw:commentRss>http://www.questidenari.com/?feed=rss2&#038;p=2364</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Giuditta e Oloferne: Caravaggio e la pittura raccapricciante</title>
		<link>http://www.questidenari.com/?p=2348</link>
		<comments>http://www.questidenari.com/?p=2348#comments</comments>
		<pubDate>Sat, 20 Mar 2010 23:40:33 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[banchiere pontificio]]></category>
		<category><![CDATA[Beatrice Cenci]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Clemente VIII]]></category>
		<category><![CDATA[decapitazione]]></category>
		<category><![CDATA[galleria nazionale arte antica]]></category>
		<category><![CDATA[Giuditta]]></category>
		<category><![CDATA[Giuditta e Oloferne]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[Oloferne]]></category>
		<category><![CDATA[orrido]]></category>
		<category><![CDATA[Ottavio Costa]]></category>
		<category><![CDATA[palazzo barberini]]></category>
		<category><![CDATA[ponte castel sant’angelo]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>

		<guid isPermaLink="false">http://www.questidenari.com/?p=2348</guid>
		<description><![CDATA[La decapitazione della bellissima e giovanissima Beatrice Cenci, avvenuta nella Roma della controriforma per punire il reato di parricìdio e al tempo stesso per far entrare nelle casse ecclesiastiche il ricco patrimonio della nobile famiglia capitolina, fornì spunto a Michelangelo Merisi (che forse assistette all’esecuzione dell’11 settembre 1599) per innovare sostanzialmente, ed in maniera duratura, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I bari: la realtà colta nell’attimo significativo da Caravaggio</title>
		<link>http://www.questidenari.com/?p=2328</link>
		<comments>http://www.questidenari.com/?p=2328#comments</comments>
		<pubDate>Wed, 17 Mar 2010 12:33:36 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Banca Romana]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[cardinale Del Monte]]></category>
		<category><![CDATA[fallimento Banca Romana]]></category>
		<category><![CDATA[Fort Worth Texas]]></category>
		<category><![CDATA[i bari]]></category>
		<category><![CDATA[Kimbell Art Museum]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[realismo caravaggesco]]></category>
		<category><![CDATA[realtà significativa]]></category>
		<category><![CDATA[scena di genere]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[spazi vuoti]]></category>

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		<description><![CDATA[Tra i quadri più noti e celebrati della produzione iniziale di Caravaggio, quella precedente il periodo romano, “i bari” rappresenta una scena di genere ispirata dalle frequentazioni nelle taverne. Un giovane ben vestito, immerso nel gioco ed ingenuo come il protagonista de “la buona ventura”, non si accorge che i personaggi intorno lo stanno imbrogliando: [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Adorazione dei pastori: l’apparente serenità negli anni tormentati di Caravaggio</title>
		<link>http://www.questidenari.com/?p=2308</link>
		<comments>http://www.questidenari.com/?p=2308#comments</comments>
		<pubDate>Fri, 12 Mar 2010 16:04:01 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[1000 scudi]]></category>
		<category><![CDATA[Adorazione dei pastori]]></category>
		<category><![CDATA[bando capitale]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[condanna a morte]]></category>
		<category><![CDATA[croce luminosa]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[museo regionale messina]]></category>
		<category><![CDATA[natura morta]]></category>
		<category><![CDATA[povertà]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>
		<category><![CDATA[senato messina]]></category>
		<category><![CDATA[simbolismo caravaggesco]]></category>
		<category><![CDATA[spazi vuoti]]></category>

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		<description><![CDATA[La rappresentazione quieta e dolce di questo attimo di devozione messo in scena da Caravaggio, oggi presso il Museo Regionale di Messina, nasconde significati più profondi di quanto possa comunicare la sua apparente semplicità. Dipinto nel penultimo anno di vita su commissione del senato di Messina per la cifra favolosa di oltre mille scudi, l’Adorazione [...]]]></description>
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		</item>
		<item>
		<title>San Giovanni Battista: Caravaggio nel nuovo continente</title>
		<link>http://www.questidenari.com/?p=2297</link>
		<comments>http://www.questidenari.com/?p=2297#comments</comments>
		<pubDate>Tue, 09 Mar 2010 00:25:38 +0000</pubDate>
		<dc:creator>L'Autore</dc:creator>
				<category><![CDATA[Storia]]></category>
		<category><![CDATA[Albenga]]></category>
		<category><![CDATA[banchiere pontificio]]></category>
		<category><![CDATA[Caravaggio]]></category>
		<category><![CDATA[Kansas City]]></category>
		<category><![CDATA[luminismo caravaggesco]]></category>
		<category><![CDATA[manto rosso]]></category>
		<category><![CDATA[Michelangelo Merisi]]></category>
		<category><![CDATA[monello]]></category>
		<category><![CDATA[Nelson-Atkins Museum]]></category>
		<category><![CDATA[ombra]]></category>
		<category><![CDATA[Ottavio Costa]]></category>
		<category><![CDATA[profeta]]></category>
		<category><![CDATA[ragazzo di vita]]></category>
		<category><![CDATA[realismo caravaggesco]]></category>
		<category><![CDATA[San Giovanni Battista]]></category>
		<category><![CDATA[Scuderie Quirinale]]></category>

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		<description><![CDATA[Il San Giovanni Battista dipinto da Caravaggio nel 1601, nel periodo della maturità artistica caratterizzato dai chiaroscuri, non appare vestito ma è avvolto e valorizzato nella definizione corporea da un meraviglioso drappo rosso, emblema forte di una tecnica pittorica che fa uso limitato del contrastante colore verde. Poco amato dall’Artista, il verde del fogliame fitto [...]]]></description>
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